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Ever.įor my morning hangovers, which were every day, I'd listen to Interpol. And then you'd find yourself covered in beer again while Nick Zinner stood in the corner looking like Nick Cave and never aging. There was never a moment of wonder where anyone thought "can I actually dance to 'Date With the Night?'" You can and you did because Karen O showed you that you could.
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It'd be followed by the Yeah Yeah Yeahs, because Karen O taught us how to dance to their songs every time she performed them. If you needed to fill a dance floor, you would go with that. Not only were they undeniable songs, but kids were coming into downtown clubs and parties in droves to dance to that stuff. I DJed at least every song from Is This It? at some point in 2001-2014.
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The Strokes had an album full of songs that you could play on the dancefloor. Not that MCR didn't have the chops, but it was NYC and emo was hardly a glimmer. I had the pleasure of managing them in 2001/2002 while I was managing My Chemical Romance, and if I had to place bets on who would become the next big thing, it was stellastarr*. Stellastarr* reigned supreme when it came to the hipster dance floors, their self-titled debut album had their song, "My Coco," that sounded like it was made specifically for TisWas. Matt Barrick, in my mind, is one of the most underrated drummers of the past 20 years. The Walkmen's dancefloor hit, "The Rat," was a stunning example of what happens when you give the reins to your fucking incredible drummer and let him show off with all his majestic skills. i remember seeing a setlist, but forget which one it was actually called and which one i called it myself - but you know of it as "Say Hello To the Angels." That song remains brilliant and timeless to me. Interpol wrote only one song that you could hear on the dance floors - and I believe that in the early days it was either called "punk song" or "Smiths song". The Strokes, the Strokes won that one as well. It was sooo good, but in the fate of the NYC music scene that was (in my mind, and my mind only) Interpol Vs. But we also had a better name for stick thin boys with severe black haircuts and finely tailored suits: Bizarrlos. My brother and I invented a nickname for boys who'd bop around the lower east side donning curly locks: Fauxbrizio. I didn't worship at the feet of JC, but I did stare endlessly at photos of Nick Valensi and wonder how on Earth he got so damn good looking. They were the reason why people from all over the world cared about this blog or any other blog written by cute girls living in the city who either shared an apartment with me or slept on my couch for extended periods of time.
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We'd pile into a cab and head down to the Slipper Room, or the Dark Room, or Lit and smoke some joints and get shit faced, eventually pouring beer all over each other while our caloric intakes rose and rose and rose until we'd become carb-faced versions of our former selves. Seeing them live meant that you'd run into all your friends back stage - and this one made out with that one, that one made out with this one. They had an accessible and marketable style that people (like myself) could emulate. The Strokes had the catchy songs that the rest of their peers didn't. Lykke Li - No Rest For The Wicked (Klangkarussell Remix) Sam Smith - Stay With Me (Wilfred Giroux Remix) Little Daylight - Overdose (Chainsmokers Remix) La Roux - Let Me Down Gently (George Fitzgerald Remix)ĭeadmau5 - Seeya (feat. Yelle - Jeune Fille Garnement (Ultragrrrl Remix) Charli XCX - Fancy (Ultragrrrl Remix)īetty Who - Heartbreak Dream (Ultragrrrl Remix) * Ok, so Supergrass starts this off with a song that’s 20 years old, but when is “Alright” ever NOT the song of the Summer? There’s also some exclusive remixes in this joint because I, the Music Director for Aritzia, made them special just for this. Consider this mixtape a throwback to the Summer of 2014* and a look forward to the music you’ll be hearing in the Fall of 2014. Just because the powers-that-be have declared Summer over doesn’t mean it really, truly, actually has to be.